An Investigation into the Viability of Removal of Lead Soap Efflorescence from Contemporary Oil Paintings

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DOI http://dx.doi.org/10.1007/978-3-319-10100-2_21
Reference A. Sawicka, A. Burnstock, F.C. Izzo, K. Keune, J.J. Boon, K. Kirsch and K.-J. van den Berg: An Investigation into the Viability of Removal of Lead Soap Efflorescence from Contemporary Oil Paintings In: Issues in Contemporary Oil Paint /ed. K.-J. van den Berg, Cham: Springer, 2014. - pp. 311-332

Metal soap efflorescent hazes and crusts are one of the most visually
disturbing of all metal soap related alterations in paintings. The phenomenon
presents particular challenges for conservators as the surface deposits that form
are insoluble and intimately bound with the paint film. The superficial deposits
accumulate following migration of metal carboxylates, a product formed within the
paint film from reaction of free fatty acids with metal ions from pigments and/or
driers. Upon deposition at the surface, the metal carboxylates undergo a process
of remineralisation, the products of which are determined by the atmospheric
conditions that the painting is exposed to. The material can appear optically similar
to the whitish haze of organic efflorescence though manifestations also range from
crystalline clusters to thick crusts, and in some cases the painting may consequently be rendered partially unreadable. This study aimed to investigate the removal of visually disturbing lead soap efflorescence with Ethylenediaminetetraacetic acid (EDTA), which sequesters the lead ions from the remineralised crust. Through a careful balance of variables such as pH, concentration and application, it is feasible to thin the superficial material significantly. By this means it is possible to saturate the surface of the paint film and render the previously disfiguring efflorescence transparent. Paintings previously treated with this method show no signs of recurrence and thus it appears to be a viable, long-term treatment option.